In Memory, on the Moon

Neil Armstrong, first man to walk (and take a photograph) on the Moon, died August 25th at the age of eighty-two. Armstrong and Buzz Aldrin turned a primordial fantasy into reality, and what we knew was possible changed in the space of a television broadcast. On Universe, Claire L. Evans honors the human spirit as explorer of the solar system, writing “Going to the moon has a tendency to turn test pilots into poets.” Now, with machines like Curiosity in the vanguard, we will have to wait a while for true Martian poetry. On Starts With a Bang, Ethan Siegel says that Armstrong’s last act on the moon was to leave a “small package filled with items memorializing previously deceased pioneers in space exploration.” May his memory outlast the footprints he left on a windless world.


Reaching for the Moon

The moon entrances us—it is near yet far away, familiar, yet unremittingly mysterious. In synchronous rotation, it has a face it never shows. It pulls the oceans; it stirs the blood. It beckons into the unknown. On Universe, Claire L. Evans says that in 1969, six artists snuck “a minuscule enamel wafer inscribed with six tiny drawings” onto Apollo 12’s landing module. Claire writes, “the artistry of this ‘museum’ is as much about the gesture of sneaking it, illicitly, onto the leg of the lunar lander, as it is about the drawings themselves.” On Starts With a Bang!, Ethan Siegel explains that due to the very slight tilt of the Moon on its axis, permanently shadowed craters at the North and South poles may hold “some very, very dirty ice, mixed with normal Moon-dust and rock, possibly similar to a glacier on Earth!” Could these ice-traps help sustain a lunar colony? Or should we be content to study the Moon with the Lunar Reconnaissance Orbiter?

Mapping Frontiers

The science of cartography has come a long way over the centuries, from the caricatured coastlines of antiquity to the highly-detailed satellite images of today. We know our terrestrial boundaries very well, and until all the polar ice melts and raises sea levels, mapmakers are busy looking elsewhere. Greg Laden explores the magma chamber beneath Yellowstone, which was modelled by observing the transmission of shock waves through the earth’s crust. Greg explains, “This sonar-like approach allows the mapping of underground three-dimensional structure,” and he has the pictures to prove it. On Starts With a Bang, Ethan Siegel marvels at a new map of the moon created by the Lunar Reconaissance Orbiter, wherein each linear pixel equates to only 145 meters. If you get lost exploring the lunar wastes, don’t panic, just refresh your browser window and start again.